December 23rd, 2024
Play-Akhiri Hila
Writer -Munshi Premchand
Director- Durga Sharma
Written by Munshi Premchand, this is a story in which an editor lives in a town away from his wife and spends his days and nights happily. After many days, one day his wife insists on coming to him and writes a letter requesting him. The editor does not want to call her and in reply to the letters he tries to escape by giving excuses of his difficulties and problems. This continues and one day his wife comes to him without informing him and his lie is caught.
Play- Asmanja Babu
Writer-Satyajit Ray
Director-Utpal Jha
According to the story of the play ‘Asamanjas Babu ‘, in this society, only that thing is given importance which is out of the box and this play also highlights such an aspect. The character of this play, Asamanjas Babu, became isolated from the society due to his out of the box thinking, because he emphasizes on thoughts and not faith, worries about the future and not the past, talks about humans instead of God. He believes that new things cannot be created without destruction. Due to such thinking, Asamanjas Babu never got along with anyone, neither with his teacher, nor with his father, nor with his friend, nor with his neighbor and due to this reason Asamanjas Babu became lonely and in this darkness of loneliness, a dog showed him the way, guided him, became his Guru, whom people also called Asamanjas Babu’s dog.
Play-Dhundh
Writer- Amul Sagar
Director- Amul Sagar
“Dhund”
The truth is not always what it seems, and what we see is not always the truth. This thought forms the core of the play ‘Dhund’, which portrays the story of a Muslim family.
The family is striving to achieve a significant goal, but the unfolding circumstances blur the lines between truth and illusion. At every turn, the play unveils a picture so unexpected that it defies imagination.
One unique aspect of fog (dhund) is that no matter how dense it is, once you start walking, everything gradually becomes clear. The characters in this play are also shrouded in mystery at the beginning, but as the narrative progresses, their true selves come to light, leaving the audience surprised and amazed.
Duration: 25-30 minutes
Genre: Drama, Social Satire
December 24th, 2024
Play -Qissa Aadmi Ka
Writer and Director Abdus Salam Ansari
“Qissa Aadmi Ka” is a satirical comedy play that begins with a meeting between two strangers, Abhilash and Bhuwan, at a local café. What starts as a light-hearted conversation soon turns into a poisonous interrogation of societal norms and expectations. As their conversation progresses, Abhilash grows weary of Bhuwan’s constant negativity, and the two characters embark on a journey of self-exploration. With unexpected twists, they challenge the futility of blindly adhering to social structures and highlight issues of identity and individuality. The play brilliantly combines humor with deep reflections on contemporary life, ultimately exposing the flaws of social expectations and emphasizing the importance of staying true to oneself. As the story reaches its climax, the characters confront their own misconceptions, demonstrating how essential it is to free oneself from societal expectations (or conformities). “Qissa Aadmi Ka” offers an entertaining and thought-provoking theatrical experience that resonates deeply with today’s audience.
Play-Intzar
writer- Saadat Hasan Manto
Director-Amar sah
Intezar (The Waiting), a one-act play by Saadat Hasan Manto, is part of his collection Manto Ke Drame (Manto’s Plays). The play delicately captures the essence of human waiting and existential despair, set against the backdrop of an unnamed conflict.
The story revolves around two principal characters—a man and a woman. The man appears to be waiting for some unidentified event or person, losing himself in a dialogue with his own reflection in the process. Seated in an ambiguous location, the two engage in sparse but profound conversations that oscillate between hope, anxiety, and disillusionment. The brevity and depth of the dialogues underscore Manto’s keen insight into human psychology.
The setting of the play is minimalistic, emphasizing internal emotional states rather than external events. The silences between the characters often resonate more deeply than their words, creating a somber atmosphere that encapsulates the essence of waiting and the futility associated with it.
Play- Purush,The God of Few Inches
Writer- Shuddho Banerjee
Director-Shuddho Banerjee
Purush, the god of few inches is a solo play written by Shuddho Banerjee based on the concept of traditional idea of defining, accepting a male as the symbol of authority, magnanimity and larger than life. His masculinity has been considered as a matter of something strong, hard and provider. Though at present, the situation neither allows that nor permits that. The struggle between the traditional depiction and present condition is quite troublesome for male folk to deal with. The play is fluid and changes adopting recent contexts and incidents.
December 25, 2024
Play-Khaali Botlein Khaali Dibbe
Writer-Saadat Hasan Manto
Director-Jitin Gaur
Saadat Hasan Manto’s story “Khaali Botlein Khaali Dibbe” is a deep and contemplative work that analyzes human loneliness and the habits that arise from it. This story shows how humans adopt different ways to fill the emptiness in their lives. To avoid loneliness, both men and women remain busy in their own ways – sometimes with tea, cigarettes or alcohol and sometimes in the company of people. This story of Manto raises the question whether man is struggling with the emptiness of the outside world, or is it the emptiness of his own soul that he is trying to fill. This story brings out the depth of human life and the unspoken pain that every person struggles with in his own way.
Play : Hamlet Hartaj V/S The Co.
Written by: Mridul Chawla
Directed by : Mridul Chawla
Plot Summary
The script centers around Hartaj, a frustrated employee who feels undervalued and overworked by his boss. His frustration escalates when he overlooked for a promotion. As his stress mounts, a surreal twist occurs when he receives a revelation: he’s a modern-day Hamlet, destined to confront a tyrannical boss and overcome personal challenges. This realization empowers him to take action, leading to a potential turning point in his life.
Overall, “Hamlet Hartaj V/S the Co.” is a comedic and thought -provoking exploration of workplace dynamics, personal growth, and the power of self-belief.
Play -Mere Kabir- DastanGoi
Writer-Syed Sahil Agha
Director- Syed Sahil Agha
Kabir Das, a renowned Indian mystic poet and saint whose verses continue to inspire and resonate with people across religious and cultural boundaries. is revered by Hindus, Muslims, and Sikhs alike. Born in the 15th century in Varanasi, India, his teachings challenged societal norms and religious dogmas, emphasizing the importance of inner spirituality and direct connection with the divine.
December 26th 2024
Play-Trishna
Writer- Sampa Mandal
Director- Sampa Mandal
Synopsis of Trishna
Trishna intertwines two mythical tales—those of Meera and Madhavi—through a dialogue-driven narrative that reveals the striking similarities between their lives. It presents two perspectives of a single story, allowing for a deeper understanding of the interconnectedness of their journeys.
The play explores the concept of the soul as eternal and indestructible. While the body perishes, the soul transcends, carrying its desires from one life to another. Madhavi and Meera are portrayed as reflections of each other, inseparable in essence. Though born in different eras and places, their lives, struggles, circumstances, and eventual fates mirror each other.
Meera is widely known as a devotee and worshiper of Krishna. But how did she become so deeply devoted to him, placing Krishna above all else in her life? The answers lie in the life of Madhavi, who lived centuries before Meera.
Madhavi, after her marriage, was on her way to Gokul Dham when Krishna appeared to see her face. However, upon her refusal, Krishna vowed never to reveal his face to her. This incident led Madhavi to develop a deep longing for Krishna, but no matter how hard she tried, she could not see him. Tormented by this unfulfilled desire, she ultimately gave up her life.
Centuries later, Meera was born into a life of similar struggles. Caught between the external world and her inner self, she found no solace or fulfillment. Her only refuge was in her devotion to Krishna. Unable to meet the expectations of her family and in-laws, she left her home and wandered, singing praises of Krishna. Like Madhavi, Meera eventually gave up her body, longing for Krishna’s presence.
The play suggests that Madhavi’s wandering soul, seeking union with Krishna, may have entered Meera’s body. Meera’s longing for Krishna could be seen as the continuation of Madhavi’s unfulfilled yearning, with Meera living out the penance for Madhavi’s unfulfilled desires.
Trishna uses a blend of poetic expressions and conversational language to enhance its beauty. Additionally, elements of the Rajasthani dialect are incorporated, adding depth and authenticity to the characters.